第三人称
给宗萨爱好者
驯悍祭 发表于 2008-02-19 21:17:34
前几日,尊大师同学嘱,欲读入菩萨行,故网上搜索。得以收集若干宝贵资源。自己拍案抚掌,快意阅读之际,愿更多同学得以欣赏宗萨仁波切潇洒幽默不拘一格的智慧:
1。中文:这个链接,有心人汇集了不少宗萨仁波切文章的中文译文,编排也比较悦目:顶顶书库
2。中文:这个链接,是篇宗萨仁波切题为How to Look for Guru and be Student的前两篇的中文译文(英文原文源自英文版的Gentle Voice第25,26期)。如何寻找上师与做个弟子。英文版Gentle Voice第27,28期继续了这个系列,还没有看到中文译文。
3。中文:德格宗萨寺网站,上面有不少宗萨仁波切的开示和消息。另外有中文版“柔和声”(中文版柔和声和英文版不同,推测应该是在台湾翻译后重新编辑)。
4。英文:英文版Gentle Voice, 完整版本自1999年,宗萨仁波切文章自1997。
5。英文:Siddhartha's Intent International, 如果可以读英文,左手菜单里有“Community", 点击进去,注册后可用里面的“Library"。"Library"里面有不少宗萨仁波切讲述“入菩萨行”(两种不同版本),入中论,等的开示。
金刚萨埵百字明咒
驯悍祭 发表于 2008-02-19 20:33:50
这个,据说,是乌金喇嘛和圆圆唱诵的。不知圆圆是谁,那个童声,应该就是他。听这个版本,至少有两个好处,一是人家圆圆小小人儿,都能唱,让老太婆/老太头们惭愧之余,觉得也定能学会,帮助升起信心也;二是这个版本,十分缓慢,有助于学习发音。
唱的,应该是藏文发音。
这是台湾某个网站做的汉语标注发音对比:
嗡 班 杂 沙 埵 吽 (咒首---即是"金刚萨埵心咒)
-- ------ ------ --
Om Ban Ja Sa Do Hum
─────────────────────────────────────
嗡 别 炸 萨 多 沙 嘛 牙 嘛 奴 巴 拉 雅
嗡 班 杂 沙 埵 沙 嘛 雅 嘛奴 巴 拉 雅
-- --------- ---------- ---------- -------- --------------
Om Ban Ja Sa Do Sa Ma Ya Ma Nu Ba La Ya
─────────────────────────────────────
别 炸 萨 多 爹 奴 巴 的 叉 遮 左 咩 巴 哇
班 杂 沙 埵 得 裸巴 底 查 知 卓 麦(美) 巴 哇
-- ---------- ---------- -------------- --------------
Ban Ja Sa Do De Lo Ba Di Tsa Ds Dso Me Ba Wa
─────────────────────────────────────
苏 多 卡 欲 咩 巴 哇 苏 甫 卡 玉 咩 巴 哇
苏 埵 卡哟 麦(美) 巴哇 苏 波 卡 哟 麦(美) 巴 哇
-------------- -------------- -------------- --------------
Su Do Ka Yo Me Ba Wa Su Bo Ka Yo Me Ba Wa
─────────────────────────────────────
晏 奴 啰 多 咩 巴 哇
阿 奴 啰 埵 麦(美) 巴 哇
-------------- --------------
Ah Nu Ro Do Me Ba Wa
─────────────────────────────────────
沙尔哇 司 底 咩 不 啰 也 叉 沙尔瓦 加尔麻 苏 渣 咩
沙 哇 司 底 麦(美) 札 雅 查 沙 哇 嘎 嘛 苏 杂 咩(美)
-------------- ------------------ -------------- --------------
Sa Wa S Di Me Ja Ya Tsa Sa Wa Ga Ma Su Ja Me
─────────────────────────────────────
即打木 司 里 任 古 鲁 吽 哈 哈 哈 哈 呵
资 档 司(洗)里养 古鲁吽 哈 哈 哈 哈 火
------ ------------ ---------- ------------------
Ds Dang Sri Yang Gu Lu Hum Ha Ha Ha Ha Ho
─────────────────────────────────────
巴 加 问 沙尔瓦 打 他 架 打
班 嘎 温 沙 哇 打 他 嘎 打
---------- ----------------------
Ba Ga Wen Sa Wa Da Ta Ga Da
─────────────────────────────────────
别 炸 嘛 咩 门 渣 别 至 巴 哇
班 杂 嘛 美 姆 杂 班 杂 巴 哇
---------------------- --------------
Ban Ja Ma Me Mu Ja Ban Ja Ba Wa
─────────────────────────────────────
嘛 哈 沙 嘛 哑 萨 埵 阿
嘛 哈 沙 嘛 雅 沙 埵 阿
------------------ ----------
Ma Ha Sa Ma Ya Sa Do Ah
─────────────────────────────────────
吽 呸
吽 帕(拍)
----------
Hum Pa
梵文:
om vajra sattva samaya, manupalaya, vajra sattva, teno patista, drido me bhava, suto kayo me bhava, supo kayo me bhava, anurakto me bhava, sarva siddhi me prayacha, sarva karma, sucha me, chittam sriyam guru hum, haha haha hoh, bhagavan, sarva tathagata, vajra ma me muncha, vajra bhava, maha samaya, sattva ah.
咒,通常是不译的。实在好奇的脑袋,可以看这个中文的。而小Ta,喜欢这个英文的,虽说讲的类似,这个英文解释,完全没有那些冷冰冰神圣伟大的术语,使得一切看起来遥远而不可为凡人所及。这个解释中,清静无染的原本,好似温暖地拟人化,使得这个咒,更像是絮絮叨叨,恳恳切切地从内心深处,带着情感,向自己的Beloved,倾诉心声。

宗萨仁波切--1994年的一次访问
驯悍祭 发表于 2008-02-15 11:22:22
他实在amazing, 几乎无法言说,自己看吧,妙处如人饮水。
看到的后来的访谈,风格与那时略有不同--没有这篇里面的锐气逼人--或许是地点场合,或许是年龄的增长荷尔蒙的平息,或许是身边的参谋要求他收敛以维系某种形象,或许是观点表达的圆熟更能为世间接受。汉文看到的有时是“摇尾”(暂且借用柏杨的词)翻译的杰作,将一切说法都神圣化而去除他的魅力--骨子里,恐怕是另外一回事。
这篇早期访谈里面的幽默,坦诚,敏锐,不装模做样, 但同时又没有偏离底线原则的睿智, 小Ta觉得很美,虽然美,也是概念,也要被超越--这个审美体验,有身体上觉受。
A Saint in Hollywood
or Women, Sex and Religion
Cosmopolitan (Germany) Interview
with Dzongsar Khyentse Rinpoche
March1994
"I am very familiar with the energy of women. I have been a women several times in previous lifetimes." - Super-Star Lama Khyentse, The Guru of "Little Buddha"
A Chosen One. He has already been through 72 lifetimes. Now he is the reincarnation of a famous Buddhist Master. His path began in the holy mountains of Bhutan and led him to Hollywood. The 34 year old Dzongsar Jamyang Khyentse Rinpoche lives in two worlds. In his Asian home he is honoured as a high-ranking Lama. In the West, as a teacher and adviser, he is increasing the fascination in Buddhism that already exists amongst more and more people. The young Lama sits relaxed on his bed in the luxury Parisian hotel, Regina. All around him are packed suitcases, outside on the streets we can hear the noise of morning rush hour. But DJK remains completely untouched by the chaos and noise. Sometimes the dark red robe slips off his shoulder revealing a fine white vest. When he replaced the robe for the third time in a few minutes he laughed.
Born in Bhutan and educated in India, he now lives in London, but most of the time he jets around the world. He teaches Buddhist philosophy at universities and seminaries for a generous fee, in America, Europe, Asia and Australia. Two days ago he was in Melbourne. Tomorrow, after a stop over in Singapore, he's flying to Bhutan for two weeks to help with the construction of a hospital. After that he will have talks in Taipei. The theme will be the Philosophy of the Middle Path. The message, one would neither accept nor reject the world, but remain unattached and to tame greed which causes all suffering. Khyentse lives what he teaches: meditation and enthusiasm. He meditates for weeks in India and then he jets from world capital to world capital. "Normally Lamas are much more humble than I am," he says self-critically. "Some even call me a jet-set Lama."
The agile openness to the world of this young Lama was, for director Bernardo Bertolucci "A gift from heaven." "When I met Khyentse for the first time, after ten minutes I knew that with the help of this extraordinary person, I could make the film, 'Little Buddha' into a big event." After another ten minutes Bertolucci had won the co-operation of the passionate movie-goer.
That was a wise decision. The film tells the story of a young boy from Seattle who is considered to be the reincarnation of an enlightened Lama by an old monk, and is taken to the Himalayas. There the young Buddha, played by Keanu Reeves, appears to the little boy in a vision. Khyentse gave Reeves a foundation level course in Buddhism. He took care of the authenticity of the movie, starting with the arrival of the monks at the airport in Seattle, until the ritual scenes in the monastery in Bhutan. The firm cost 35 million dollars, but no money in the world could have bought permission to shoot in Bhutan. Bertolucci's crew could only enter the country and shoot film because the King of Bhutan holds Khyentse I such high regard.
Again the robe is slipping off his shoulder. This time he doesn't pull it up. In his white vest the Lama looks even more like a boy. At the beginning of the interview I try to address him with his whole name, but I can only manage to stutter it. Dzongsar Jamyang Khyentse Rinpoche smiles forgivingly and gives me some help. Dzongsar is a monastery in Bhutan, Jamyang means Soft Voice, Khyentse is compassionate wisdom and Rinpoche (Jewel) is the honorific title given to incarnate Lamas.
Cosmo: How did you know that you are the incarnation of a famous Buddhist master?
DJK: My incarnation was prophesied to a Lama in a dream. In Buddhism these visions of incarnations are quite normal. A Lama dreams about you, your name, or the names of your parents, maybe your star sign as a rough guide to your date of birth, then on top of that hints about the place, the shape of a mountain range, a certain rock or a river. After this dream the Lama starts to search and when he finds you the test begin.
Cosmo: Tests?
DJK: The Lama doesn't tell you that you could be an incarnation - he tests you. I was three years old when the Lama came and the tests lasted until I was nine years old.
Cosmo: What kind of tests did you have to do?
DJK: Again and again I had to meditate on my former life and I had to talk about what happened and what I experienced. I was very carefully watched to see how I dealt with the people around me. Buddhist philosophy was of course also on the menu. My education was very hard. No holidays, like in Europe, no free weekends.
Cosmo: How long did your education last?
DJK: It never stops. There is no Master degree, only a life time of practising.
Cosmo: Who trained you?
DJK: I had 12 teachers and they were very tough with me. If I did something well they said that it was normal because I was an incarnate Lama. If I did something bad, or wrongly, they said sarcastically: "So, you want to be an incarnate Lama?"
Cosmo: You come from a family that has enormous religious influence in Bhutan.
DJK: Yes. My father is also a Lama and a poet.
Cosmo: Did he agree with your Hollywood adventure?
DJK: (smoothing the wrinkles in his robe) He knows my passion for movies. If its in India, America or Europe, at every opportunity I creep into the cinema. I like almost all movies, even bad ones.
Cosmo: What do you think of "Little Buddha"?
DJK: Buddhism is a difficult theme. You cannot possibly communicate the whole truth, especially not in two hours on the screen. But still, this movie has made the most of its limited possibilities. It has a clear message of love and compassion and also is an introduction to Tibetan Buddhism, culture and tradition.
Cosmo: How big a role does tradition play in Buddhism?
DJK: I'll tell you a story as an example. Tradition and Buddhist philosophy are like a cup and tea. You can drink tea out of a cup, or directly out of the pot, or out of a flower, but you must never overestimate the value of the vessel. The tea, the teaching, is the main thing.
Cosmo: In the West...
DJK: Yes, I know. In the West the outward appearance of Buddhist tradition is often overestimated. Buddhism teaches renunciation. That doesn't mean that you shave your head, change your name and that you have to join some kind of monk's club.
Cosmo: What do you advise people that come to your tea meetings.
DJK: Expect less sense and meaning from life, don't be so heavy.
Cosmo: That sounds Californian - take it easy.
DJK: It only sounds like this. But it means that you don't put yourself or others under pressure with expectations and accusations. That maybe the main problem in the West. There are many people who struggle so long and hard, even in sex. They are beaten by extreme emotions and pushed by expectations and desire for self expression (laughing and shaking his head). This self doesn't even exist.
Cosmo: There is egosim, but no ego?
DJK: The ego is just an illusion. There is this man that dreams of a monster that wants to eat him. Fearing death he asks it what he is supposed to do. The monster replies, I don't know man, it's your dream (he laughs). That is the Buddhist concept of Ego illusion.
Cosmo: Could you be more specific?
DJK: I could, but I won't. It would be irresponsible of me to make your reflections too cosy.
Cosmo: Now in the West, Buddhism is really "in". Superstars like Richard Gere and Tina Turner publicly declare that they are Buddhists. Is the jet-set Lama Khyentse ever asked by prominent people for Buddhist advice
DJK: (shrugs his shoulders and smiles).
Cosmo: Is your silence an expression of profound humility? Or don't you want to expose your prominent students to gossip?
DJK: I'd prefer to answer a question that hasn't been asked yet. Buddhism is flourishing in the West. There are more and more Buddhist centres and we are trying to make it easier for people to relate to these complicated teachings. The Bertolucci movie is contributing to this. But we should not be trendy. That would damage the teachings. They have nothing to do with New Age or obscure magic. Buddhism emphasises reason and everybody is inter-dependent. Everybody needs everybody, even the so called enemy. This awareness creates compassion and love.
Cosmo: Compassion and love are really female qualities. Are women better Buddhists?
DJK: According to the pure teachings, the female is the symbol of wisdom. But the world was and is not fair to women and neither is the cultural tradition of Buddhism. In Tibet, men are dominant. Some monasteries are even off-limits to women. Often it is the women's own interpretation of their role that stands in their way to becoming a student or a teacher. They feel guilty when they are in competition with men.
Cosmo: A strange thought.
DJK: Yes. Many problems only come up when you think them. However, I would like more women to be my students and to be in the same position as men, as Lamas or monks.
DJK: Do you see any improvements?
DJK: Yes, there are some strong women in Buddhism, high ranking teachers, like Jetsun Chime and one of her students. She now lives in Canada, but when she was very young she taught in Tibet where 400 monks lay at her feet. In Tibet that is incredible. In Western society women are more developed and they fight for their rights. Unfortunately most of the time they fight too hard and forget to live.
Cosmo: In the movie "Little Buddha" two boys and a girl are all the incarnation of a famous master. Is that realistic?
DJK: Of course! With me it is similar. I am one of three parallel incarnations of the same Lama.
Cosmo: Do you know how often you have been reborn?
DJK: So far, I have had 73 incarnations. By the way, in some lives I was a woman.
Cosmo: What does a Buddhist teacher do about sex
DJK: There are Lamas that are married and have children.
Cosmo: So celibacy is not obligatory?
DJK: No. But I am absolutely against Lamas having affairs with female students and justifying by saying it is spiritual closeness.
Cosmo: Do you have relationships with women?
DJK: Yes. But if I have a relationship with a woman it is only out of passion, out of pure desire.
Cosmo: Is there "the " woman in your life?
DJK: (laughs) No. It doesn't work to try and have me as a stable partner. Maybe for a few weeks, but at some point I would disappoint all the expectations. I know myself. The woman would suffer through my mistakes.
Cosmo: Which ones?
DJK: I am selfish and very convinced about my own opinions. A woman would always only get a little bit of my soul because I appreciate my freedom too much. I would hurt the woman. Also because I am always on the road.
Cosmo: If you are not meditating you are jetting all around the world. How do you manage to radiate so much calm?
DJK: The secret of the Buddhist teaching helps me. If I give people energy, I get back double.
Cosmo: Does a Lama have dreams?
DJK: Of course. I want to make movies, for example about Buddhism.
Cosmo: With Khyentse as the leading actor?
DJK: Preferably not. In "Little Buddha" I have a small role at the end when the old Lama dies, and I explain what death is.
Cosmo: What is death?
DJK: Death is a phase of life, not the end.
Cosmo: And what is love?
DJK: Love... that's hard work。
来自:www.siddharthasintent.org/Pubs/Cosmo.htm
作明佛母(二)
驯悍祭 发表于 2008-02-09 16:09:02
昨日忽然无比想念作明佛母。
旧年,曾经写过一篇作明佛母的,找了下,竟然是去年十月。岁月流逝,其迅雷不及掩耳之势,虽然以为理智上明白心理上作了准备,还是张目结舌。大师同学坐在思妈妈家沙发上,悠悠唱着心咒的样子,还历历在目。
堪布贝玛千贝仁波切唱的作明佛母心咒:
这是伊藤加代唱的:
他们唱的是这个:

嗡 古 汝 古 列 舍 梭 哈
作明佛母,又称咕噜咕列佛母,为佛教密宗掌管权威及怀法的本尊 (Kurukulle (Tibetan: rig che ma, English: The One of the Action Family), Goddess of Power). 四手三眼,身红色,金发怒冲,手持莲花钩斧,搭箭拉弓,作射箭姿,腰系虎皮裙,颈挂人头,头戴骷髅冠,身佩珠宝璎珞。足下踩一魔,若身居火中,具大权威势。佛母一面表法性一味,三目象征通达三世,四臂表四种成就或四无量心,怒容表达调伏四魔,本尊红色为怀爱法,摄十方最殊胜本尊之一。 功德遍摄三界自在任运,所作皆能成就得名,故又称三界自在空行母;或称怀柔佛母。其功德广大胜深,实是无以比量。

又被认为是二十一度母之红色度母化现,藏传力量女神。先来看看这幅美丽的红度母。

红度母,也包括Kurukulle的介绍,这次是英文的:
Red Tara, the Saviouress, is the active compassion of all the Buddha's constantly manifesting in various appearances and temperaments to specifically guide and aid individual beings according to their particular needs and capacities. Just as Tara in her usual green form may be called upon by Buddhists to protect them from various dangers and threats, in particular the eight great terrors and the sixteen fears, so in her red form as Kurukulla, she may be called upon to exercise her powers of enchantment and bewitchment to bring under her power (dbang du bsdud) those evil spirits, demons, and humans who work against the welfare of humanity and its spiritual evolution. However, in terms of practical magic, she can bring under the practitioner’s power a personal enemy, a boss, a politician, a policeman, or a recalcitrant lover, male or female.
According to the texts, Kurukulla is sixteen years old because sixteen is the ideal number that signifies perfection, four times four. Her face is beautiful and her body voluptuous and alluring, as well as being red in color, because of her magical function of enchantment and magnetism. She has a single face because she embodies non-dual wisdom beyond conventional distinctions of good and evil. She is naked because she is unconditioned by discursive thoughts. She has four arms because of the four immeasurable states of mind, namely, love, compassion, joy, and equanimity. She holds the bow and arrow entwined with flowers because she can give rise to thoughts of desire in the minds of others. In her other two hands she holds the hook that attracts and summons them into her presence and the noose by which she binds them to her will. The ornaments of human bone she wears signify the five perfections, whereas she herself embodies the sixth perfection, that of wisdom. She wears a necklace of fifty freshly severed human heads dripping blood because she vanquishes the fifty negative emotions. She is dancing because she is active and energetic, her compassionate activity manifesting in both Samsara and Nirvana. She dances, treading upon a male human corpse because she enchants and subjugates the demon of ego. She stands upon a red sun disc because her nature is hot and enflamed with passion and upon a red lotus blossom because she is a pure vision of enlightened awareness. In the practitioner’s meditation, such is the recollection of the purity (dag dran) of the vision of the goddess.
同一个网站上,还有一幅kurukulle, 颜色仿佛过去照片的底片,更生动更有活力地表现她的“wrathful look",比较稀罕。

下面这张美丽的作明佛母,来自一个英文网站,比较少见到。

这个网站在记录2003年的一次kurukulle empowerment时说:
Kurukulle is a semi-wrathful aspect of Tara, a fully-Enlightened Buddhist goddess. In this guise she confronts opponent forces. That is to say she here presents an undaunted demeanor, which fierce expression and the holding of weapons are but symbolic means of conveying the central concept. Tara is at all times a wholly benificent deity. So you might call this Her tough-love aspect. Her mission, as with any Buddha, is to roll the Wheel of Dharma, bringing Ultimate Truth and Supreme Enlightenment to every being everywhere. Any who obstruct Her purpose through ignorance can only do harm to themselves and others. In meeting with this opposition She wields Her flower garland weapons to pierce their misguided reasonings, to hook onto their better nature and draw them near. She dances atop a corpse proclaiming conquest over death and wears a trophy necklace of 50 freshly severed heads (one for each syllable of the Tibetan writing system) symbolizing mastery of all ideas and knowledge. As in much of Buddhist iconagraphy, female deities represent the Wisdom side of Enlightened Nature; and so She is otherwise unadorned...as naked as Truth.
The purpose of visualizing Kurukulle in meditation is to be constantly aware of all the Enlightened Qualities which She represents...to worship, honor and revere them in Her...to see their reflection in ourselves...and in every being alive. We nurture and enliven these qualities through our practice.
这里有一个prayer flag,是作明佛母的。John MR写了篇蛮长的介绍,叫“KURUKULLA The Dakini of Magic and Enchantments”, 有些新的信息。
下面这个作明佛母像,看起来就温和得多,一点不愤怒,简直差不多有点敦厚。

一切寻求,皆有代价
驯悍祭 发表于 2008-02-05 10:32:59
看到黄集伟专栏上有这么段话:“上周,在某网友博客里读到上面这个句子,原句说:“趁兜里还有毛主席,我到卓越下了一大单”。
昨个小Ta在卓越下的单来了。一只手和若干毛主席分手之余,另一只手,喜滋滋地接收了柏杨的白话资治通鉴,全套36本。还记得中学大学时,时兴过一阵柏杨。如今再看,仿佛可以看到时光在字里行间流过。看白话,是因为识字太少,投机取巧没有办法的办法--的确认为古文更美,但急功近利的心,须要一点甜头。
前几天和思妈妈无限幽怨地怀念着说,网上下载到的柏杨白话资治通鉴,看到起初一些本,84年版,只要1.65至1.8元;即便是后来94年出的,也只是4元。思妈妈贼忒兮兮地说,你下订单时有无跟他们说,要84年出的。
读资治通鉴,一年一年又一年,反复重复,不断加深印象:阳光之下,没有新事。
++++
感动时分001
驯悍祭 发表于 2008-01-29 19:59:42
因寒冷,因天阴,所以要更加着意地找寻每一朵云的银边,大声地咏唱出来。否则,会因无人明白而缄口,即使偶尔张口,声音也会湮没风中。
+++暗夜里的红袄儿
昨夜恍惚中,仿佛有人敲门。听了一回,这里是平民住宅,敲门的通常是些骗子,巧立名目地要骗开门。朋友一般都会先约了。很凶恶地问是谁。答是乐乐。怎么会,怎么会?不置信地开了门,乐乐着大红袄儿,俏生生地站在门口。黑漆漆的暗夜,唰地亮了半边。
+++空城
恍然空城。
看到北京女病人的博客上题为“时间的灰烬”的,小Ta引:“既不回头,何必不忘。若是无缘,何须誓言。今日种种,似水无痕。明夕何夕,君已陌路。那时候我还年轻,看到赵灵儿吟出这几句,心里面早已经哭得死去活来。”
Ta苍老的心,哗啦啦碎成千万片。就是有这个结,没有办法,谋该(用广东话念)。也只能这么着了。
+++腊八日的情书
读了一封腊八日的情书,通篇没有一个情字,真切而坦荡荡的---那种情感,一如蘑菇,适合在温暖潮湿的阴影里,仅靠汲取想象的养分茁壮成长--人类最大的性器官是大脑。在蘑菇很壮而依然不能见天日时,会有美丽的类似于“Lolita"或是“Damaged"那样haunting的文字出来,鬼魂一般,haunt很多人未便言及的梦。但他写出来了,虽然很美,这蘑菇会在天光中,会迅速地枯萎。他说每一年腊八,都会再写一封。
不是写给Ta的,收信人在苦恼实际中的处理--小Ta只是纯审美地赞叹它的美和它蘑菇般的命运。
+++墓志铭
前阵子沸沸扬扬的姜岩自杀一事,终于看到她下葬的帖子。中国人多以死者为大,入土为安。不论她死得是否“值得”,敬礼她的选择,因为死,对于害怕未知的我们来说,需要很大很多的勇气;多数没用勇气去的人,只好如小Ta这般苟且活着。
这墓志铭选得十分有意思,显然不是祈祷,不知是不是别人的期望,它说:如果有来生 /要做一棵树 /站成永恒 /没有悲欢的姿势 /一半在尘土里安详 /一半在风里飞扬 /一半洒落阴凉 /一半沐浴阳光 /非常沉默非常骄傲 /从不依靠从不寻找
无论是今生还是来世,能活成这样,很不错了;当然小Ta是不会选做一颗树的,律师事务所里夜深印废了的那些草稿,都是一棵棵树,直接去了废纸篓,死得更冤。
+++相对有言
晋盛德晚饭,对面坐了一对男女。关系上显然不是一般的朋友,因为他们肩并肩地坐着,说话口气上,不似朋友那么“正大光明”或是多年死党那么有恃无恐地亲而不昵;身体语言上也不象初初开始的热恋。他们吃着,热烈地说话并聆听。
小Ta吃了两个菜,两碗饭,看了三张报纸,他们还是热烈的相对有言,看了下时间,个把钟头呢。这是很久以来,第一次听到看到一对人儿,彼此有话说。感动得不行。特志。
+++香消玉殒
章含之去了。洪晃的博客上,简洁而大气的几行字,说妈妈走好。这个美人,小Ta曾为她的爱情感动,写“断句湿”一,被讽为赵丽华体,那是初闻赵氏名,只是至今也没读过TA的诗。
+++玉体和小烟卷
总觉得自己好了,总没好,有点受挫---仿佛心比天高,命比纸薄,不能施展抱负的读书人。雄赳赳地出去了,头重脚轻面色苍白地回来--肚子里两碗饭白菜萝卜和牛肉不舒服地塞着--能吃病就能好,一直奉为皋臬。总是好些了,左肺开始排湿了。
13天没抽小烟卷了。没有烟卷的日子,恐怕很难想象,但来了就过了。日子还不都如此。企图通过烟卷寻求的慰籍,即便在烟卷里,也是没有的。有什么区别。
投射等--复XL
驯悍祭 发表于 2008-01-23 17:23:11
这个原先是写在留言里的,想了一下,觉得值得扶正
+++++
晓泠
愤怒跟激情是同种能量,但那个不解决问题。
Ta在探讨观察的,是投射,只是懒得讲理论也不愿讲理论而已。也就是,自己的未被认知,荣耀或被压抑的素质,会被投射在别人身上,引起自己情绪上强烈的反应。
Ta好奇的,是Ta无耻的素质--Kao,Ta看起来太象正直的知廉耻的人了,连不喜欢Ta的人都很难否认这点,当然,自己也糊涂着。所以,这次挖掘得比较辛苦。
因为自己喜欢讲理论,所以博客和生命里,不想做“佛油子”--基本上不讲理论,但其实每一篇博客,都可以讲出大堆理论。
讲有什么用,有本事不要受苦。赫赫。
另外:告诉你朋友,所谓雄心壮志是个高级妄念,跟意淫和梁朝伟亲嘴,没有实质上的区别。
+++++
附言:昨晚又不小心看到今天早上,纠缠的还是那个“无耻”女博士的事情。昨天看着看着,非常确信那个“无耻”的女博士,除了是个女的是个事情,其他自吹的一切,都是假的。又看到很多很多别人揭穿她,不会上当,就很放心,不愤怒也不着急了。
所以疑惑投射的,未必是“无耻”。前天相信她是清华学士哈佛博士,所以觉得她所说的,不是事实不负责任,会误导别人,那样做,违反了自己的“为人”准则,所以着急;昨天明白了她是个骗子,骗子本来该做的事,就是骗,没有什么不对,所以不着急了--而且人家小地方没上过太多学没见过太多世面,撒个那么大的谎,费尽脑子而不一定圆满,还不知道会撞上什么人围剿自己,容易么。
对骗子,宽容得多。
不思善,不思恶,那是境界。在先有“理念”然后端着那理念考虑事情时,不难做到。但在读贴过程中,油然而生那么强烈强大的“对”或“不对”,是真实而直接的反应--这种反应,恐怕是是本能中心或是情感中心上的,远比“非二元”那个理智上的理念,要强烈直接且速度快得多。有意思。再看看。
地狱火烧爆栗
驯悍祭 发表于 2008-01-22 16:50:40
按那个不着调的“性格类型”来说,理智中心的皇后(情感部分),一旦对一样事情起了兴趣,相当可怕--不吃不喝不睡,理智中心的需求和情感部分的需求都满足了,只有本能中心的身体,有点受苦--其实吃也吃了,喝也喝了,只是没睡而已。
干什么呢?在看一个天涯帖子。
在看一个天涯帖子?
是。前一阵,仿佛和胡紫薇的公开声讨遥相呼应,不小心看到因为“小三”而从24楼跳下自杀的白领,从自杀的种种,引到轰动一时的3377事件(这是一个张扬的扶正小三被网民声讨的故事),然后在天涯论坛上,看到老鸨(其实是鸡头),工作姐儿几乎完全的产业链强帖,不完全的部分有诸多客人的留言弥补。
这个过程,极端长见识。什么人都有,什么反应都有,重要的,是观察自己对他人反应的反应--周伯通的双手互搏,在网络脑力阶段,意识形态里的新应用。过程中的思想动态和汇报,可以写出灏轶长卷来。
+++
昨晚看的那一贴,却是个温实的写吃贴。叫:北京人自己来说北京的落后——从吃开始,一个叫叮咚法师的人,开贴写北京的吃及风俗民情。
小Ta,恰巧是那种在吃上的南方“大食”沙文主义者,私下认为一般而言,北方的东西,花巧名头再多,好吃得少,大多数北方人,吃上不太明白不太讲究(无论他/她/它自我感觉认知如何)。在吃食上,Ta涵养惊人得好,从来不屑把想法拿出来讨论,特别是同“一般”的北方人,这样别人完全没有机会争辩;北方“别人”支招,也不接招,只慈悲地看着,宽容地如同耶稣临断气前:“他不知道他在说/作什么”。
即便是如是霸道的沙文主义者,小Ta承认并尊重食物的温情效果:我们少时吃惯了的那些食物,以及和那些食物相关的天,地,人,景,声,气味,味道,意,想,给我们今生今世乃至无数生世带来的,无法逆转无法改变的记忆和回忆(mental fabrication)。那些mental fabrication随着我们长大,在每一个细胞里都占着一席之地,以至于我们是它,它就是我们的不可分割的部分。
在这一点上,北京人写食物,远胜一切南方人,原因仅仅在于食物外氤氲的气息,大于食物。陆文夫的“美食家”写美食,也算到了极致,而唐鲁荪的系列写食,更有味道。小Ta至今豪不怀疑,陆文夫笔下的食物,好吃过唐鲁荪笔下百倍。但文字,是另外一种动物,有自己的规律。小Ta虽然喜欢好吃的,但更好色--美好的文字,极美的色也。严格这么说,虽然小TA非常喜欢蔡澜的大气和他洋溢的生命力,读过他几乎每一本书,他的写食,大约也就是识字不太多的华侨的水平---不是不好,而是有很多更好。
这个叮咚法师,写得也好,试引小段:
&ldquo没事儿,就是事儿;没问题就是问题。”北京人原谅说这话的人,因为他肚子里没有二锅头。
我的一个同学,一家三代都喝二锅头,天天喝,喝酒有遗传,凡是你能喝你的上辈子也能喝。每天下班回家,女人们在厨房做饭,男人们等着没事就喝酒。我这个同学年轻,用他爷爷的话说没过着苦日子,抓了把花生米在喝;爸爸过了一点苦日子边吃一个鸭梨边喝,鸭梨都剩下核儿了,还再不停的开采梨肉儿;爷爷苦日子过大了,过久了,似乎什么也没吃在干喝,其实,你错了。你问:“您怎么什么都不就,喝酒呀”,老爷子会很蔑视地看你一眼(因为你没见识),不说话,把手伸到嘴里,从后槽牙间扣出个铁蚕豆来,示意给你看。你再问“这个能当多长时间酒菜呀?”
老人很惋惜地端详这个已经囊乎了的铁蚕豆:“这个该换了,已经三天了。”
好吗,一个铁蚕豆充当了三天的下酒菜,这才是酒仙儿呀,李白算什么呀。”
就这么着,他的帖子一个个精彩地续。 然后就出现了一个搅屎棍棍,于是这个愉悦的温实帖,成了地狱。
一个号称国内国外都是名牌的那种女博士,居高临下地以前中国上等人,现光荣伟大正确的美国人,聪明伶俐,天文地理无所不知的身份,教育贫穷落后愚昧的中国人,小Ta的火,噌,就起来了。地狱开工。
这个竟然一本正经出来说“加州拉面不来自加州,德州趴鸡也不来自德州”的傻子,说麦当劳Burger King是只有黑人才吃的食物,FBI是间谍机构,等等等等。无知而死不承认就算了,吹嘘自己的家世,自己的学校,自己的同学,自己的朋友,自己如何年轻貌美聪明成功(知道澡票5分一张,经历过89的年轻才俊?),赚多少钱(通常以同时踩别人实现),云云云云。简直闭上眼睛,都没有机会错过那种张扬的无耻和无知。
那个恼火!小Ta没有注册而没有身份,否则早就杀上去匡乱扶正去了,只好无助无望地等着别人来讨伐她。观察到自己看别人骂她时,那个爽。 心里悄悄收集了反她的证据,她无知犯错的确凿证据,别人也看到了,就和个彩,看不到,就着急;忙个不停。
有趣的世界。
叫了停,反问自己为什么如此恼火。重要的,不是别人无耻,而是,自己点解为了别人的无耻,如此愤怒? 哈哈。
